(หนังสือภาษาอังกฤษพร้อมส่ง) CONFUCIUS' COURTYARD XING RUAN(R5)

This is a traly magnificent work of scholarship for the understanding of China, one that I have been waiting for ... Xing Ruan's book comes to life, almost jumps off the page, because it draws not only on traditional sources in history and philosophy, but also on charming narratives of how the Chinese people actually lived. It is a book for the scholar's study and for the hammock by the seashore. It is a triumph that I envy!' YI-FU TUAN, J.K. WRIGHT AND VILAS PROFESSOR EMERITUS OF GEOGRAPHY, UNIVERSITY OF WISCONSIN Xing Ruan grasps a fundamental architectural element as an insightful window for understanding broader issues of society and history. Ruan's elegant prose soars as he weaves nuanced observations, classical Chinese writings, and buildings throughout the world into a cohesive narrative.' RONALD G. KNAPP, SUNY DISTINGUISHED PROFESSOR EMERITUS, STATE UNIVERSITY OF NEW YORK NEW PALTZ 'An enchanting story paradoxically woven round a void - the courtyard - it offers a fresh account of the transformations of the Chinese city! JOSEPH RYKWERT, PAUL PHILIPPE CRET PROFESSOR EMERITUS OF ARCHITECTURE, UNIVERSITY OF PENNSYLVANIA For more than three thousand years, Chinese life - from the city and the imperial palace, to the temple, the market and the family home - was configured around the courtyard. So too were the accomplishments of China's artistic, philosophical and institutional classes. Confucius Courtyard tells the story of how the courtyard - that most singular and persistent architectural form - holds the key to understanding, even today, much of Chinese society and culture. Part architectural history, and part introduction to the cultural and philosophical history of China, the book explores the Chinese view of the world, and reveals the extent to which this is inextricably intertwined with the ancient concept of the courtyard, a place and a way of life which, it appears, has been almost entirely overlooked in China since the middle of the 20th century, and in the West for centuries. Along the way, it provides an accessible introduction ro the Confucian idea of zhongyong (the Middle Way'), the Chinese moral universe and the irtuous good life in the absence of an awesome God, and shows how these can only be fully nderstood through the humble courtyard - a space which is grounded in the earth, yet pen to the heavens. udite, elegant and illustrated throughout by the author's own architectural